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The ‘World’s Most Haunted Object,’ A Creepy Box, Is Said To Have Cursed Megastar Post Malone.



The Dybbuk Box has been dubbed the “world’s most haunted object,” and is said to have “cursed” megastar Post Malone.

Even looking at pictures of this seemingly ordinary box is said to curse people. The Dybbuk Box is thought to contain an evil entity conjured accidentally by a Holocaust survivor, with owners instructed not to open its doors.

The Dybbuk Box dubbed the world’s “most haunted object,” has a chilling backstory that involves the Holocaust, eBay, and even pop star Post Malone.

People who have kept the box in their homes have reported seeing shadows, hearing noises, and smelling strange scents while feeling overwhelmed by a dark energy.

The term ‘dybbuk’ comes from Jewish mythology and refers to an evil spirit or entity that clings to people.

According to the original owner’s family, the box was used to capture a spirit that was released after a Holocaust survivor attempted to contact the dead in order to help fight the Nazis.

The box, which contains a candlestick and human hair locks among other things, is said to be cursed.

It may sound far-fetched, but those who have kept the box in their homes report terrifying phenomena, implying there is something to the myth.

The box’s story begins in 2003, when Kevin Mannis, an antique dealer in Oregon, USA, flogged it online after purchasing it at auction following the death of a 103-year-old lady who survived the horrors of Nazi death camps.

Kevin had intended to give the box to his mother as a present, despite the woman’s family’s warnings “not to open the box under any circumstances.”

Unfortunately, such warnings often have the opposite effect – and Kevin admitted to opening its little doors at one point.

Kevin Mannis later discussed his encounters with the Dybbuk Box.

A candlestick, a piece of paper with Yiddish writing, and two locks of human hair were found inside.

Things allegedly went wrong right after he gave the box to his mother, with Kevin later admitting to discovering her in a catatonic state after suffering a stroke.

After several failed attempts to get rid of it by giving it to other family members, he decided to pawn the box online, where it was purchased by a student.

As sinister events continued, the box was sold to museum curator Jason Haxton.

People who kept the box in their homes reported strange odors and dark shadows.

Jason claims that the box’s arrival was accompanied by strange smells, dark shadows, and even the unexpected deaths of museum staff’s loved ones.

The wooden box was subjected to expert evaluations and even biohazard tests, which were ineffective.

Desperate, Jason claims he resorted to placing it inside another box lined with gold to neutralize any spirits that might be lurking inside.

It was later buried in an undisclosed location after being placed in a military-grade container designed to contain bomb blasts.

The Dybbuk Box is said to have been used to capture a spirit that was accidentally released by a woman attempting to summon the dead after escaping a Nazi death camp.

Jason’s curiosity led him to track down the original owner’s family, who told him the terrifying story of how it was used to capture an evil spirit during a ritual to summon ghosts to aid in the defeat of the Nazis.

The box is now on display in Nevada and has inspired three films, including The Possession, during which an unexplained fire is said to have broken out on set.

Rapper Post Malone claims he had a series of near-death experiences after colliding with a box.

Ghost Adventures star Zach Bagans purchased the Dybbuk Box in 2017 and installed it in his Haunted Museum in Las Vegas.

It is kept behind glass and can only be viewed by adults who sign a waiver beforehand.

In 2018, news outlets around the world reported that global rap star Post Malone went to see the box and accidentally touched it through Zach.


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Photo Credit: Travel Channel, Getty Images/DeAgostini, FEAR

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‘Queen’ Founding Member Shares Crop Circle Picture



On May 24th, Brian May, a founding member of the rock band Queen who later earned a Ph.D. in astrophysics, posted several images to Instagram of a crop circle seen near Marlborough, England.

“Have you noticed anything out of the ordinary here in the English countryside?” The photos were captioned by May. “I’d never seen a crop circle before. As a result, I’m always skeptical of them. But yesterday, as we flew back from our production rehearsal space, over a location near Marlborough, there was this. […] Who creates these fascinating works of mathematical art? Is it a hoax? Are they created by extraterrestrials? And… how…? And what is their goal?”
Responses to May’s post have been mixed, with some claiming that the phenomenon is paranormal, while others believe that hoaxers are to blame.

Crop circles have sparked speculation in the modern era since at least the mid-1970s, with theories ranging from hoaxers to otherworldly beings to “earth energies.”

Despite the fact that people have claimed responsibility for certain crop circle formations, mysterious circles of flattened plants discovered in fields date back much further than modern-day hoaxers.

W.Y. Evans-Wentz recorded folktales of faeries coming in the night to thresh farmers’ grain in his 1911 book The Fairy Faith in Celtic Countries. Similarly, in 1678, an English woodcut pamphlet depicts ‘The Mowing-Devil,’ who is shown mowing crops in a circular pattern.

While some dismiss these as folkloric inspiration for modern-day hoaxers, others see them as proof of a phenomenon that predates man-made imitation.

No one has yet claimed responsibility for the crop circle photographed by May.


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DoD Announces Expanded Effort to Investigate UFOs



According to a press release issued by the Department of Defense (DoD):

Due to the passage of the National Defense Authorization Act for fiscal 2022, Deputy Secretary of Defense Kathleen Hicks, in consultation with the Director of National Intelligence (DNI), amended her original directive to the Under Secretary of Defense for Intelligence & Security on July 15, 2022, by renaming and expanding the scope of the Airborne Object Identification and Management Group (AOIMSG) to the All-domain Anomaly Resolution Office (AARO).

USD(I&S) Hon. Ronald S. Moultrie informed the department today of the establishment of AARO within the Office of the Under Secretary of Defense for Intelligence and Security, and named Dr. Sean M. Kirkpatrick, most recently the chief scientist at the Defense Intelligence Agency’s Missile and Space Intelligence Center, as its director.

The AARO’s mission will be to coordinate efforts across the Department of Defense and other federal departments and agencies in the United States to detect, identify, and attribute objects of interest in, on, or near military installations, operating areas, training areas, special use airspace, and other areas of interest, and, as needed, to mitigate any associated threats to operational safety and national security. Anomaly, unidentified space, airborne, submerged, and transmedium objects are included.

Under Secretary of Defense for Intelligence and Security (USD(I&S)) Ronald Moultrie will lead the AARO Executive Council (AAROEXEC), which will provide oversight and direction to the AARO along the following primary lines of effort:

1. Surveillance, Collection and Reporting
2. System Capabilities and Design
3. Intelligence Operations and Analysis
4. Mitigation and Defeat
5. Governance
6. Science and Technology

This newly reported expansion of the Pentagon’s UFO investigation program follows low congressional trust in their investigative efforts.

Following the release of the much-anticipated preliminary assessment report on UFOs by the Office of the Director of National Intelligence last year, many in the intelligence community were critical of what they saw as the report’s failure to offer any concrete explanations for most of the incidents examined, particularly in light of concerns about secret Russian or Chinese technology.

The Pentagon then promised to revamp the task force in charge of investigating UFOs, which resulted in the formation of the AOIMSG, which has since been renamed the AARO.

This reflects Congress’ growing interest in UFOs, which was most recently demonstrated during a House Intelligence Subcommittee hearing on the subject last May—the first of its kind in more than 50 years.

The congressional hearing allowed lawmakers to question the Pentagon about unidentified aerial phenomena (UAP)—the current government term for UFOs—and for government officials to explain their current position and outline plans to investigate the issue further.

During the hearing, there were few mentions of extraterrestrials, though the Pentagon did express a particular interest in reports containing unusual flight characteristics such as incredible speed, transmedium capabilities, and undetectable means of propulsion.

Since the existence of the Pentagon’s Advanced Aviation Threat Identification Program (AATIP), which reportedly ran from 2007 to 2012, was made public in 2017, congressional interest in UFOs has skyrocketed.

Interest in the encounters between Navy pilots and UFOs grew, and in 2019, several senators, including Sen. Mark Warner (D-Va.), then vice chairman of the Senate Intelligence Committee, were briefed on them.

The Senate Intelligence Committee, led at the time by Senator Marco Rubio (R-Fla.), then included a directive in their Intelligence Authorization Act for Fiscal Year 2021 ordering the Director of National Intelligence (DNI) to create a report on “unidentified aerial phenomena” in consultation with the Secretary of Defense.

That bill resulted in the formation of the Unidentified Aerial Phenomena Task Force (UAPTF), which was in charge of producing the aforementioned preliminary assessment report.


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The Marlborough Monkey is a Cryptid Fans Classic



The latest documentary by researcher and filmmaker Karac St. Laurent, The Legend of the Marlborough Monkey, takes a fresh look at an older and often overlooked series of cryptid sightings in New Hampshire.

Most people don’t think of Bigfoot sightings in the northeastern United States, but St. Laurent has made a compelling case for taking the subject seriously while still having fun along the way.

The film is a tribute to the classic cryptid documentaries of the 1970s, and it was shot to look like an 8mm film being watched on a VHS tape. With thematic music and Robert Ready’s absolutely perfect deadpan narration, viewers could be forgiven for not immediately recognizing this as a documentary shot in 2021.

Despite its aesthetic, the film is very much a product of modern investigation, and St. Laurent conducts field investigations using equipment anachronistic to the 1970s, both solo and in collaboration with Small Town Monsters alum Aleksandar Petakov.

When some filmmakers might have been content to show only the interviews with researchers and witnesses included in the documentary, the field investigations were a nice touch. Folklorist John Horrigan is an especially bright addition to an already entertaining documentary, and his unique blend of wit and historical storytelling could have carried the film on its own.

Horrigan, interestingly, coined the term “The Marlborough Monkey” to describe the hairy humanoid being reported by New Hampshire residents in the 1990s, based on one account in which the witness said the creature looked like an orangutan. Those reports never stopped, and sightings of ‘The Marlborough Monkey’ are still being reported today.

St. Laurent, however, does not stop with stories; similarly to his first documentary, Release the Bodette Film, a variety of evidence is presented for the viewers to peruse. Much like that film, the viewer is ultimately left to decide what to believe, despite the fact that the vast majority of the film approaches the subject from a staunchly materialistic standpoint. Petakov makes a passing reference to high strangeness during an interview late in the film, but otherwise the assumption is that if something strange is going on, it’s most likely an undiscovered primate. This isn’t necessarily a negative, depending on your point of view, and those who prefer materialist science in the hunt for cryptids will appreciate the film’s mainstream take on the phenomenon.

That viewpoint is consistent with the 1970s-era documentaries to which it pays homage, and given the evidence presented, there’s never any sense that the investigation should be taking a different path. If The Legend of Boggy Creek is one of your favorite documentaries, check out The Legend of the Marlborough Monkey.

The Legend of the Marlborough Monkey has a run time of 43:14 and will be available to watch for free on the Crash-Course Cryptozoology YouTube channel starting at noon on September 12th. Expect it to be available on DVD around Thanksgiving.


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